Pete Townshend

Pete Townshend (born Peter Dennis Blandford Townshend on 19 May 1945 in Chiswick, London), is an award-winning English rock guitarist, singer, songwriter, composer, and writer.

Pete Townshend made his name as the guitarist and principal songwriter for rock band The Who. His career with them spans more than 40 years, during which time the band grew to be considered one of the greatest^[1] and most influential^[2] rock bands of all time, in addition to being "possibly the greatest live band ever."^[3] Townshend is the primary songwriter for the group, writing well over 100 songs for the band's eleven studio albums, including the rock operas Tommy and Quadrophenia, plus dozens more that appeared as non-album singles, bonus tracks on reissues, and tracks on rarities compilations such as Odds and Sods. He has also written over 100 songs for his solo albums and rarities compilations. Although known mainly for being a guitarist, he is also an accomplished singer and keyboard player, and has played many other instruments on his solo albums, and on some Who albums (such as banjo, accordian, synthesizer, piano, bass guitar, drums).

Townshend has also written newspaper and magazine articles, book reviews, essays, books, and scripts.

After The High Numbers once again became The Who, Townshend wrote several successful singles for the band, including "I Can't Explain", "Pictures of Lily", "Substitute", and "My Generation". Townshend became known for his eccentric stage style during the band's early days, often interrupting concerts with lengthy introductions of songs, swinging his right arm against the guitar strings in his signature windmill style, often smashing guitars on stage, and often repeatedly throwing his guitars into his amplifiers and speaker cabinets. The first incident of guitar-smashing was brought about because Townshend accidentally smashed his guitar on the low roof of an early concert venue. He was so enraged at cracking the neck of his guitar that he systematically destroyed the rest of his kit, bringing the already uneasy show to an abrupt end. The onstage destruction of instruments soon became a regular part of The Who's performances that was further dramatized with pyrotechnics. Afterwards, he would flip it into the crowd. At a concert in Germany, a police officer walked up to him, pointed his gun at him, and ordered Townshend to stop smashing the guitar. Townshend, always a voluble interview subject, would later relate these antics to German/British artist Gustav Metzger's theories on Auto-destructive art, to which he had been exposed at art school. In his later years, Townshend attributed the motivation for his onstage destruction of guitars to a youthful anger he had long since outgrown.

The Who thrived, and continue to thrive, despite the deaths of two of the original members. They are regarded by many rock critics as one of the best^[4][5] live bands^[6][7] from a period of time that stretched from the late 1960s to the early 1980s, the result of a unique combination of high volume, showmanship, a wide variety of rock beats, and a high-energy sound that alternated between tight and free-form. The Who continue to perform critically acclaimed sets in the 21st century, including a highly regarded performance at the Live 8 music festival in July 2005.

Townshend remained the primary songwriter and leader of the group, writing over 100 songs which appeared on the band's 11 studio albums. Among his most well-known accomplishments are the creation of Tommy, for which the term "rock opera" was coined, and a second pioneering rock opera, Quadrophenia; his wild, guitar-smashing stage persona – which has become virtually de rigueur in the majority of rock acts since the 1970s; his use of guitar feedback as sonic technique; and the introduction of the synthesizer as a rock instrument. Townshend revisited album-length storytelling throughout his career and remains the musician most associated with the rock opera form. Townshend also demonstrated prodigious talent on the guitar and was influential as a player, developing a unique style which combined aspects of rhythm and lead guitar and a characteristic mix of abandon and subtlety. Many tracks also feature Townshend on piano or keyboards, though keyboard-heavy tracks usually featured guest artists such as Nicky Hopkins, John Bundrick or Chris Stainton